presents
MahaMaya Band
Happy to Be Here


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Raga Bhimpalasi is one of my favorites and for years
I kept coming up with melodies in the raag. So, I finally
decided to create an album from some of the compositions
(there are still more!).

Thanks to Mahalakshmi and the rest of the musicians,
it has finally manifested!

The entire album is filled with melodies in Bhimpalasi,
complemented by rhythms and improvisations provided
by our master musicians.


Emam

Musicians featured on this album:
Mahalakshmi
vocals, keyboard
Mukesh Sharma
sarod
Zoltán Lantos
violin
Gari Hegedus
oud, mandocello
Uday Kulkarni
tabla
Sonik Velingkar
bansuri
Emam
tabla, percussion
Steve Robertson
drums
Akash Chanda
bass

Click one the song names to listen.
1) Freedom Dance
(Emam)
Freedom Dance is an invitation to enjoy life.
It gives you the chance to dance freely, just as you are!
This is an Indo-Jazz-Rock fusion song that blends
Indian Classical music with Jazz & Rock.
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Gari Hegedus (mandocello)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Akash Chanda (bass)
Sonik Velingkar (bansuri)
Steve Robertson (drums)
Jim Dooley (drums)
Emam (percussion, tabla)

2) Freedom Dance
Alt. Mix - No Drum Set
(Emam)
Same as the previous song, except mixed without the drum set.
It is a softer version of the previous piece, which allows you to
hear the tabla as well as other hand percussions better,
without the hard edge of the drum kit.
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Gari Hegedus (mandocello)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Akash Chanda (bass)
Sonik Velingkar (bansuri)
Emam (percussion, tabla)

3) Happy to Be Here
(Emam)
Another Indo-Jazz-Rock fusion song that blends
Indian Classical music with Jazz & Rock.
The name comes from the fact that every time I listen to it,
I feel happy to be here!
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Akash Chanda (bass)
Jim Dooley (drums)
Emam (percussion)

4) Happy to Be Here
Alt. Mix - No Drum Set
(Emam)
Same as the previous song, except mixed without the drum set.
Again, it is a softer version of the previous piece,
which allows you to hear the tabla and the other
hand percussions better, without the the drum kit.
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Akash Chanda (bass)
Emam (percussion)

5) Artichoke - Part 1
(Emam)
This is a fusion of Indian Classical with Middle Eastern
and Eastern European music. It uses a semi-fast seven beat rhythm
that is popular in Turkey and Eastern Europe.
This is one of my earliest compositions that dates back to the 80's.
I wrote this for my dear friend, our oud and mandocello player,
Gari Hegedus (a.k.a. Gary Haggerty), who used to
co-own a music store in Portland, Oregon,
called "Artichoke Music".
He is the one that got me into fast odd rhythms!
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Gari Hegedus (oud)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Akash Chanda (bass)
Emam (percussion)
6) Artichoke - Part 2
(Emam)
This one uses the same melodies as the one before,
except it is much faster. Much more like the fast seven
rhythm used in Eastern Europe (specifically Bulgaria).
This one, in particular, sounds much more like
Eastern European and Turkish music.
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Gari Hegedus (oud)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Akash Chanda (bass)
Emam (percussion)

7) Enlightened One
(Emam)
Starting from this song, the sound becomes much more
North Indian Classical. This is a composition in a nine beat
rhythm cycle called Matta taal, one of my favorite rhythm cycles.
The name comes from Tarot card number 9 (Major Arcana),
called the "Hermit", or as I call it, the Enlightened One.
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Sonik Velingkar (bansuri)
Emam (percussion, tabla)

8) Cycle of Cosmic Expression
(Emam)
With this song, the sound becomes even more Indian Classical.
It is in a ten beat rhythm cycle called Jhap taal.
In the Book of Tarot by Dr. Paul Foster Case, he refers to
Tarot card number ten as the "Cycle of Cosmic Expression",
a fitting title to this collection of cyclic ten beat melodies!
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Mahalakshmi (vocals, keyboard)
Uday Kulkarni (tabla)
Sonik Velingkar (bansuri)
Emam (percussion, tabla)

9) Back to the Beginning
(Emam)
The album ends with a pure Indian Classical piece in
a typical slow sixteen beat rhythm called Teen taal.
It starts with an intro called "alap" performed by our
bansuri (bamboo flute) player, followed by a back and forth
between the ensemble playing the melodies
while tabla improvises, and sarod & violin improvising
while tabla keeps the rhythm.

I started my official music training back in 1977 on the tabla.
After that, for many years, I only listened to and played
Indian Classical music and slow Teen taal was the most
common rhythm cycle we used. So, with this last song,
it is like going back to the beginning for me!
Mukesh Sharma (sarod)
Zoltan Lantos (violin)
Mahalakshmi (vocals)
Uday Kulkarni (tabla)
Sonik Velingkar (bansuri)

Zoltan's tracks recorded by Roland Heidrich - Budapest (Hungary).
Jim's tracks recorded by Jim Dooley - New York (USA).
All other tracks recorded by Emam and Mahalakshmi
Siolim (Goa), New Delhi, Berkeley & Santa Cruz, CA.
Arranged, mixed, edited and mastered by Emam
with assistance from Mahalakshmi.
Produced by Emam for Eternal Music.
Published by Emam & Friends - (BMI)

Album notes by Emam
Cover photo by Mahalakshmi